What kind of lasers do ghostland observatory use




















Since the band performs live and changes songs on the fly, cues are arranged as song per page and the live operator can make adjustments in real-time to deliver beat-accurate performances every show; with an accuracy that does not vary between cities. Essentially, this affords live flexibility with the precision and repeatability of time code.

This was achieved largely through the use of lasers — and lots of them - at their live shows. Ghostland Observatory World Tour. Earlier in the day, however, I met a different duo: their offstage, everyday personalities.

Behrens, outgoing and talkative, appeared in a blue plaid shirt and sideways baseball cap, while Turner, tall and soft-spoken, sported a black zip-up hoodie from the Club in DC. Both are Texas boys, with endearing drawls and laid-back personas, and five hours before their big show at the Cedar Park Center we had a chance to chat some about Codename: Rondo , alter egos, live performances and their dedication to keeping it fun. How it has been for you in this growth process, when in a few years you go from playing these great, relatively little shows to the headlining ACL with the UT Marching Band?

TT: Oh man, we just have fun with the whole thing, we were having fun doing the smaller shows Now we just get to have more and just get to play.

More toys to look at and to have fun with on stage. SK: And so you guys have these really funny, fun characters on stage; the "Pocahontas and the Wizard" nickname makes me laugh every time. When did those characters become what felt right and evolve into what they are now? TT: I don't know, I'm a low-key dude.

I like my cape and my little station. I have fun with that. That's kind of natural for me. AB: And I think mine just developed There was not a lot of thought going into it That's the main reason why we do a lot of stuff It just goes and won't stop going, until I change my look I didn't really think about it. My wife actually had a pair of sunglasses sitting there and I walked by and put them on and they were these different kind of shades and I was like " Oh, I like this!

The old look was I have no idea what that was. A very androgynous, Pocahontas vibe. Very strange, pushin' different buttons. SK: I love it, it's a thrill to see you in the clothes you'd wear every day in contrast to the stage character. SK: I have done a lot of listening to Codename: Rondo and it's fun, really quirky, especially the track "Codename: Rondo.

TT: That whole thing with Jim is about people you see at the convenience store that stick out. And also there was something that happened in Newark, New Jersey that was pretty prolific. TT: I think Aaron and I are the only people that know! Maybe Alex Tour Manager knows about it a little bit. TT: Laughs Well, it's just that state of mind of observing everything as opposed to just like the bigger things.

Like checking out Jim with his socks pulled up high, and his Velcro shoes, getting into his little truck, you know, and his friend bringing him a Slurpee. AB: The people that the majority would overlook or stay away from You know the ones that don't even like attention either. SK: You could tell there was a great story behind it. So what are these guys all about? When someone describes the Ghostland Observatory live experience, no matter who that person is, there is one word you can expect him to utter every time: lasers.

This is not an accident; the lasers are stunning, even the primary reason to watch the show. Yes and no. The band, or at least Behrens — who has ditched the Willie Nelson braids but still wears his sunglasses at night — is raw energy. On Friday night, only the second date of the current tour, Behrens stopped moving only to pick up a guitar or assist instrumentalist Thomas Turner with his synthesizer.

And the sorcerer cape did nothing to diminish the spectacle. Some of the more enthusiastic members of the crowd could have put on the show by themselves. Unlike many previous shows at The Warfield, there was no security barrier in front of the stage, which meant crowd participation and everyone knew it.

Behrens let the antics continue until someone started messing with Turner, at which point he went backstage to wake up the security guard. The set had its moments, no doubt.



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